Abstract
The paper will use the Community Museum Project (CMP, www.hkcmp.org), a Hong Kong-based curatorial collective (with which the author is affiliated), as a case study in the possible application of the museum methodology to the visual representation of community values and practices; she explores how different areas of knowledge and social resources can be "curated" to nurture synergised social relations. CMP, though operates without a permanent space, shares with institutional museums in the practice of creating representations of histories and objects, the difference being the focus on the undocumented and under-represented vernacular culture (with emphasis on public, material and visual cultures) and indigenous creativity. The city, and particularly the street, is seen as a site of interwoven knowledge and resources. They are given visual forms by means of exhibitions, tours or other public programmes.
Original language | English |
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Pages (from-to) | 57-64 |
Number of pages | 8 |
Journal | International Journal of the Inclusive Museum |
Volume | 1 |
Issue number | 3 |
DOIs | |
Publication status | Published - 1 Jan 2008 |
Keywords
- Community cultural development
- Indigenous creativity
- Social curating
- Vernacular culture
- Visual culture
ASJC Scopus subject areas
- Conservation
- Museology