Abstract
In this article, the authors research wine vessel design in China and conduct a deep investigation on the semantics. Chinese characters and a group of classic wine vessels (bottom-pointed vessels) are analyzed systematically. Then, using a cognitive science method called the "blending theory," the authors explore how the design of ancient wine vessels (bottom-pointed vessels) could blend to the Chinese characters "horn and "the tenth earthly branch conceptually. Following this research and investigation, an argument of the origin and the embodiment of the wine vessel deign is proposed, which also provides a new perspective for designers creating new vessels in current times.
Original language | English |
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Pages (from-to) | 1-17 |
Number of pages | 17 |
Journal | International Journal of Designed Objects |
Volume | 11 |
Issue number | 2 |
DOIs | |
Publication status | Published - 1 Jan 2017 |
Keywords
- Chinese Character
- Cognitive Blending
- Semantics
- Wine Vessel
ASJC Scopus subject areas
- Architecture
- Visual Arts and Performing Arts