Abstract
We extend Savage et al.'s music and social bonding hypothesis by examining it in the context of Chinese music. First, top-down functions such as music as political instrument should receive more attention. Second, solo performance can serve as important cues for social identity. Third, a right match between the tones in lyrics and music contributes also to social bonding.
| Original language | English |
|---|---|
| Article number | e95 |
| Journal | Behavioral and Brain Sciences |
| Volume | 44 |
| DOIs | |
| Publication status | Published - 30 Sept 2021 |
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