Abstract
This article analyses how three South Korean multicultural-themed reality television programmes discursively produce Koreanness. We ground our study in scholarship on ‘othering’ and the notion of banal nationalism (Billig, 1995) and conduct a thematic analysis of the shows. Our findings show that the programmes adopt a Korea-foreign dichotomy that becomes a lens through which viewers can vicariously experience the existence of a unified South Korean culture. We argue that the juxtaposition of a Korean ‘us’ against a foreign ‘them’ precludes imagining a more pluralistic South Korea – even as the programmes ostensibly celebrate South Korea’s increasing diversity.
| Original language | English |
|---|---|
| Pages (from-to) | 219-237 |
| Number of pages | 19 |
| Journal | Critical Studies in Television |
| Volume | 19 |
| Issue number | 2 |
| DOIs | |
| Publication status | Published - Jun 2024 |
Keywords
- migration
- national imagery
- reality television
- South Korea
ASJC Scopus subject areas
- Cultural Studies
- Communication