Abstract
Pan Lu's essay recounts her research residency at Fukuoka Asia Art Museum (FAAM), in which she examined photographic documentation made by the museum’s curators during their early and extensive research trips throughout Asia. She questions how these photographic documentations may have produced and framed the visual history of the institution since the 1970s.
| Original language | English |
|---|---|
| Pages (from-to) | 14-24 |
| Number of pages | 11 |
| Journal | Yishu: Journal of Contemporary Chinese Art |
| Volume | 16 |
| Issue number | 4 |
| Publication status | Published - 2017 |
Keywords
- Fukuoka Asia Art Museum
- Photographic documentation
- Archive
- Curating
- Kuroda Raiji
- Peran
- Nakao Tomomichi
- Matsuura Jin
- Igarashi Rina
- Rawanchaikul Toshiko
- Yamaki Yuko
- Toshio Saori
- Kamachi Masae
- Mouri Naho
- Iwamoto Fumio
- Egami Kenichiro
ASJC Scopus subject areas
- Visual Arts and Performing Arts